Installation
Scenography Installation
2022
Used about 1200 recycled pallet wood, this scenography installation deals a fascination with sound and a mind of ecological sustainability.
Something Nothing (ICAS)
2014
Transfering a blank piece of A4 paper into three dimensions, it comprises a completely white space that bears no visible markers of its depth.
Sound Like (No. 18)
2016
Sound Like is a series sound artwork that often constructed with everyday objects such as funnel and hand basin.
Sound Like (wearable)
Ongoing
Sound Like is a series sound artwork that often constructed with everyday objects such as funnel and hand basin.
Sound of the Earth
2013 Singapore
Plays with this ‘knowledge of nature’ by capturing the energy generated by electron from this locally found clay
Sound of the Earth
2014 Fukuoka
Plays with this ‘knowledge of nature’ by capturing the energy generated by electron from this locally found clay
Sound Like (No. 19)
2018
Sound Like is a series sound artwork that often constructed with everyday objects such as funnel and hand basin.
Sound Like (No. 20)
2019
Often constructed with everyday objects such as funnel and hand basin, It diverts sounds to the participants’ ears offering them a singular experience listening either closely to themselves or the surrounding environment.
Something Nothing (London)
2007
Transfering a blank piece of A4 paper into three dimensions, it comprises a completely white space that bears no visible markers of its depth.
Drawing Between Nothing
2008
An site-specific installation used the manetic field to create drawing in a 3-dimensional space.
Bottles and Fans
2009
Similar to the child’s play of blowing on bottles to produce sound, each bottle in the series emits a different tone based on the placement of a running fan atop it and the amount of water it contains.
Chitter Chatter (No. 1)
2020
Chitter-Chatter orchestrates informal and inconsequential conversation that enquires the ongoing social struggle of speaking, creating the tension of hearing as well as of being heard.